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- Xie Jin' s Films 謝晉電影
- Xie Jin komencis sian planon filmi “La Opia Milito”. 后面的 la Opia Milito 應該用目的格形式。
- Enlivened more than a half century movie Master Xie Jin on the Chinese Film circle in 1923 to be born in a Zhejiang Province Shangyu scholarly family family. 在中國影壇上活躍了半個(gè)多世紀的電影大師謝晉1923年出生于浙江省上虞一個(gè)書(shū)香門(mén)第家庭。
- Originally, on November 21, Director Xie Jin will welcome a 85th birthday. 原來(lái)，今年11月21日，謝晉導演就將迎來(lái)85歲生日。
- All people should use the study to express to Xie Jin's cherishing the memory. 所有人應該用學(xué)習來(lái)表達對謝晉的緬懷。
- But just participated in Zhao Wei who the Tokyo film festival returns domestic to accept the interview, still immersed, in kind teacher Director Xie Jin leaves the world sorrowfully. 而剛參加完?yáng)|京電影節回到國內接受采訪(fǎng)的趙薇，仍沉浸在恩師謝晉導演離世的悲痛之中。
- Xie Jin also has a famous saying, that is “the pure personhood, acts in a play earnestly”. 謝晉還有一句名言，那就是“清清白白做人，認認真真演戲”。
- Shanley’s film feels caught between two mediums and why Ms. 這些對于表現教會(huì )與性別，比任何一次修女與神父之間逐漸升溫的交鋒都更為有力。
- Covers door's that moment respectfully, Ruan Zhenqiu had not thought that this can be last time sees Xie Jin. 恭恭敬敬掩上房門(mén)的那一刻，阮振球沒(méi)有想到，這會(huì )是自己最后一次見(jiàn)到謝晉。
- Kurosawa’s film simply shows more about the characters. 這就是看不見(jiàn)的手的作用。
- Xie Jin lives before death thriftily, after dying, also conforms to simplicity the ceremony. 謝晉生前生活儉樸，死后也將儀式從簡(jiǎn)。
- Cui Jie indicated that Xie Jin is one upright and never stooping to flattery, the very earnest person. 崔杰表示，謝晉是一個(gè)剛正不阿、非常認真的人。
- The Xie Jin tear, never and acclaims the moral nature love, recounts to the son and has expressed! 謝晉淚，是從來(lái)沒(méi)有把心底的愛(ài)和贊嘆，向兒子述說(shuō)和表示過(guò)！
- Xie Jin from has not carried on for his movie any has hyped, has not heard any scandal. 謝晉從沒(méi)有為自己的電影進(jìn)行過(guò)任何炒作，更沒(méi)有聽(tīng)說(shuō)過(guò)什么緋聞。
- Photographs preceding day, Xie Jin inspects actually flies into a rage, does not permit to begin shooting. 拍攝前一天，謝晉來(lái)檢查卻大發(fā)雷霆，不準開(kāi)拍。
- Surmounts Xie Jin, once became a slogan, one kind of determination and a posture. 超越謝晉，一度成為一個(gè)口號、一種決心和一個(gè)姿態(tài)。
- Through the studies to Roman Polanski’s films, the paper highly values his contribution to the world film. 通過(guò)對波蘭斯基影片的分析，本文肯定了波蘭斯基對世界電影發(fā)展所做出的貢獻。
- At this moment, be turn for Xie Jin, he stalks of grain without the speech, grab a few phenomena that mike begins reprimand China filmdom to exist. 這時(shí)，輪到謝晉了，他沒(méi)有演講稿，抓起話(huà)筒便開(kāi)始斥責中國電影界存在的一些現象。
- Film subtitles translation,Relevance Theory,Feng Xiaogang"s films,subtitling strategies,communicative effects. 01電影字幕翻譯,關(guān)聯(lián)理論,馮小剛電影,翻譯方法,交際效果
- Opens Aly to believe that Xie Jin's work has been seeking for the human nature real thing, this affected profoundly to afterward direction. 張阿利認為，謝晉的作品一直都在尋找人性真實(shí)的東西，這對后來(lái)的導演影響深遠。
