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- This paper attempts to tidy and explain her novel poetics in four aspects, story, narrative, togue, heart world.It is this paper"s aim, the exploration on Wang Anyi"s novel poetics. 本文試圖從故事、敘事、語(yǔ)言、心靈的世界四個(gè)方面來(lái)對她的小說(shuō)詩(shī)學(xué)進(jìn)行梳理、闡釋?zhuān)@就是本文的題旨所在：王安憶小說(shuō)詩(shī)學(xué)探微。
- Wang Anyi' s novels 王安憶小說(shuō)
- Roaming and fatalism tangle up in Wang Anyi"s world of text and mind. 漂泊與宿命在王安憶的文本世界和心靈世界中扭結糾纏在一起。
- Wang Anyi's and Li Ang's novels are similar in their caring for the fate of females and in the affirmation of female's independent human dignity. 王安憶、李昂小說(shuō)在關(guān)注女性命運、肯定女性自主的獨立人格等方面具有相似之處。
- Based on the novels by Wang Anyi and facilitated by the theory of the feminism criticism and psych-analysis, the feminist revolutionary course has been graphed in the article. 在這篇論文里，以王安憶小說(shuō)文本為研究對象，以女權主義批評和精神分析批評為研究方法，梳理其小說(shuō)文本中女性尋找自我所經(jīng)歷的迂回艱難的過(guò)程。
- Second , it will analyze the comedic style of Wang xiao-bo"s novels . 喜劇性在王小波的小說(shuō)創(chuàng )作觀(guān)念中占有著(zhù)非常重要的地位;
- And it is Wang Anyi’s complex and penetrating portrayal of her heroine that best displays her gifts as a novelist. 恰恰是王安憶對女主人公細膩和敏銳的描寫(xiě)才最恰如其分地彰顯出她作為一個(gè)小說(shuō)家所擁有的天賦。
- The British image in Lao She s novels has op... 老舍小說(shuō)中的英國形象為讀者打開(kāi)了一扇審視世界的窗戶(hù)。
- Wang anyi s attitude about the verge condition of female is determined by its sex role and the "shell-picker" emotion. 女性的性別角色與“拾海人”的創(chuàng )作心態(tài)決定了王安憶女性書(shū)寫(xiě)的邊緣狀態(tài)。
- Such an increasingly traditional pursuance has inevitably trapped the narration in Wang Anyi's novel into embarrass of literary creation. 這種日益經(jīng)典化了的追求不可避免地使王安憶的小說(shuō)敘事陷入了創(chuàng )作困境。
- And at the same time, there is hidden link between Wang Anyi"s writing form and her fatalistic spiritual character. 同時(shí)，王安憶特有的寫(xiě)作形式也與其宿命的精神特征有著(zhù)隱蔽的聯(lián)系。
- In the third part, I tries to explore the source of Wang Anyi"s humanlitarianisms from her literature eyeshot and individual experiences . 論文的第三部分從王安憶的文學(xué)視界和個(gè)人經(jīng)歷中去探尋王安憶人道主義的根源。
- Zhao Shuli s novels embodies elegance from its popularization. 趙樹(shù)理小說(shuō)在通俗化中呈現出了高雅的氛圍。
- Many critics saw flashes of E.H. in the young M.'s novel. 許多評論家稱(chēng)在年輕的M.;的小說(shuō)中有海明威的影子。
- It also comments on some archetypes in Wang Meng’s novels, reveals the uniqueness of Wang Meng’s novels, reexamines and re-evaluates the artistic features of his works. 同時(shí)該文還論述了王蒙小說(shuō)中所隱涵著(zhù)的“分離-考驗-回歸”和“走路”等原型類(lèi)型，分析了前者在敘事結構和塑造藝術(shù)形象上所起的“祭儀”作用，后者在小說(shuō)中的象征意義，揭示了王蒙小說(shuō)在藝術(shù)創(chuàng )新過(guò)程中的獨特性，重新審視了王蒙的反思作品的藝術(shù)特征及貢獻，并進(jìn)行了新的評價(jià)。
- In modern Chinese literature,Wang Anyi is not only a novelist,but also a critic. 在中國當代文學(xué)史上,王安憶是集小說(shuō)家與批評家兩者于一身者。
- Creative mentality is the cause of Zhang Ailing’s novels’ “sombre” meaning. 創(chuàng )作心態(tài)是張愛(ài)玲小說(shuō)“蒼涼”意味形成的原因。
- And it is Wang Anyi's complex and penetrating portrayal of her heroine that best displays her gifts as a novelist. 王安憶對小說(shuō)女主角復雜且深刻的描寫(xiě)最能展示她作為小說(shuō)家的天份。
- This essay analyses the irrational passion in Stefan Zweig"s novels. 本文對茨威格小說(shuō)中的非理性激情進(jìn)行研究。
- Most of the characters inM.. Shen Congwen"s novels are common people. 小說(shuō)描寫(xiě)的人物多數是普普通通的百姓。
