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- Li Yu' s Novels 李漁小說(shuō)
- Li Yu was accustomed to express his own conciusness and distinct individuation in his novels. 摘要李漁在作品中力圖表現強烈的自我意識和獨特的個(gè)性色彩。
- Heart Li Yu is frowsty, what method is solved? 心里郁悶，有什么辦法解決？
- Qing xu xin tai tiao li yu jia [videorecording]. 情緒心態(tài)調理瑜伽 [錄像資料].
- The British image in Lao She s novels has op... 老舍小說(shuō)中的英國形象為讀者打開(kāi)了一扇審視世界的窗戶(hù)。
- Like Li Yu, , doomed life his helplessness. 就像李煜，時(shí)運不濟，注定了他的無(wú)奈人生。
- Last year, the award went to young director Li Yu. 去年，這個(gè)電影節的獎項頒給了年輕的女導演李玉。
- Zhao Shuli s novels embodies elegance from its popularization. 趙樹(shù)理小說(shuō)在通俗化中呈現出了高雅的氛圍。
- He proposed that we(should) send Li Yu to hospital at once. 他建議馬上送李玉進(jìn)醫院。
- "Taking heart as happy": Li Yu's Health Esthetics View. "以心為樂(lè )":李漁的養生美學(xué)觀(guān)。
- Many critics saw flashes of E.H. in the young M.'s novel. 許多評論家稱(chēng)在年輕的M.;的小說(shuō)中有海明威的影子。
- Be careful when Li Yu is frowsty, how should abreact come out? 當心里郁悶的時(shí)候,要怎么發(fā)泄出來(lái)?
- Chapter Three mainly elucidates the canonization of Confucianism and Buddhism during Nantang Dynasty, it imposed great influence on Li Yu"s ci-poems. 第三章從意識形態(tài)層面探討了南唐儒風(fēng)大張、累世信佛與李煜詞風(fēng)的關(guān)系。
- Creative mentality is the cause of Zhang Ailing’s novels’ “sombre” meaning. 創(chuàng )作心態(tài)是張愛(ài)玲小說(shuō)“蒼涼”意味形成的原因。
- This thesis aims at investigating the influence of Li Yu's opera theories on his novel production from the perspectives of the richness and systematicness of his opera creation. 本論文試圖從李漁豐富而系統的戲曲理論出發(fā),考察其戲曲理論對于他自身小說(shuō)創(chuàng )作的影響。
- Second , it will analyze the comedic style of Wang xiao-bo"s novels . 喜劇性在王小波的小說(shuō)創(chuàng )作觀(guān)念中占有著(zhù)非常重要的地位;
- This essay analyses the irrational passion in Stefan Zweig"s novels. 本文對茨威格小說(shuō)中的非理性激情進(jìn)行研究。
- Most of the characters inM.. Shen Congwen"s novels are common people. 小說(shuō)描寫(xiě)的人物多數是普普通通的百姓。
- This article think Li Yu"s selfish departmentalism is a trinity of stage ,amusement and audience, and his dramas were the perfect presentation of this theory. 本文認為，李漁的戲曲本位思想是“舞臺、娛樂(lè )、觀(guān)眾”三位一體的，其劇本便是這種思想的完美體現。
- When heart Li Yu is frowsty, have what kind of the good method that abreact? 心里郁悶時(shí)，有什么樣發(fā)泄的好方法嗎？
