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- Wang Chuanshan"s aesthetics is a theory of life transcendency. 船山的美學(xué)是一種生命超越的美學(xué)。
- Wang Guowei's aesthetics is the meeting point of recent modern times and the contemporary, succession and summing-up of traditional literature critique, and the herald of Chinese new literature. 王國維美學(xué)是中國近代美學(xué)和現代美學(xué)的交匯點(diǎn),是中國傳統文論思想的繼承和總結,也是中國新文藝的先聲。
- There is certain similarity with Wang Guowei aesthetic thought. 這與他的同學(xué)好友王國維的美學(xué)思想有一定的相似性。
- Commentaries on Lyrical Work, Wang Guowei, Wen Guo Bookshop, Tainan, 1986. 人間詞話，王國維，文國書局，臺南，1986
- As a canon hermeneutics, Wang Chuanshan"s aesthetics develops its own meaning within the interpretation of Confucian canons and other classics. 船山美學(xué)在經(jīng)典詮釋學(xué)的視域中展開(kāi)，美學(xué)的意義是在“六經(jīng)責我開(kāi)生面”的詮釋過(guò)程中生長(cháng)出來(lái)的。
- In this picture-oriented mass media age today, the significance of "the beauty of dialectic" is no less than "the beauty of ancient gracefulness" by Wang Guowei 100 years before. 在以圖象藝術(shù)為主導方式的傳媒時(shí)代，“思辨之美”的意蘊可能不亞于王國維當年提出的“古雅美”。
- That is, the multi-category inaesthetic contemplation and formal view.The second part introduces Wang Guowei's literary criticism of fictions and ci. 第二章重點(diǎn)介紹王國維小說(shuō)、詞曲方面的悲劇審美批評和境界理論。
- Abstract: The theory of “Jingjie”, as the core of Wang Guowei's aesthetic concepts, have been drawn scholars' eyes in academic study. 內容摘要：[摘要]“境界說(shuō)”是王國維美學(xué)理論的核心概念，自從提出以來(lái)倍受理論界關(guān)注，被給予了各種解讀。
- The early 20th century, methods of detection of forgeries the biggest breakthrough is that Wang Guowei founded the famous "double Evidence Act. 20世紀初辨偽方法的最大突破，就是王國維創(chuàng )立了著(zhù)名的“二重證據法”。
- The other important characteristic of Later Wittgenstein’s aesthetics is anti-theorization. 他反對美學(xué)研究中理論化的方法，而提倡描述的方法。
- By investigating the academic practice of Liang QiChao and Wang GuoWei, we can see that the influences of the ideas of the western new history on the Chinese artistic archeology. 從梁?jiǎn)⒊?、王國維學(xué)術(shù)活動(dòng)的考察中,我們可以看出西方新史學(xué)思想對中國美術(shù)考古學(xué)學(xué)科品質(zhì)的塑造及其影響。
- Chapter III is The Romantic Sublime, which discusses respectively Wordsworth s aesthetics and Weiskel s psychoanalysis of the sublime. 第三章為浪漫式的崇高，依次探討渥滋華斯的美學(xué)與衛斯科爾的崇高的心理分析。
- Part three focuses on the development of Wang Guowei's drama study and the formation of its authoritativeness under the cultural circumstances in the capital. 第二節即就此展開(kāi)論述，并重點(diǎn)闡發(fā)王國維早期學(xué)術(shù)思想中的“世界學(xué)術(shù)”觀(guān)。
- Alexander Gottliel Baumgarten＇s aesthetics theory have sure enlightenment to build contemporary practice aesthetics theory. 鮑姆嘉通的美學(xué)思想對當代實(shí)踐美學(xué)的建構也有一定的啟示。
- To sum up, this essay argues that Wittgenstein’s aesthetics thinking had the power to animadvert on and perfect traditional aesthetics. 總起來(lái)看，本文認為，從理論上看，維特根斯坦的美學(xué)思想中包含了對傳統美學(xué)批判和完善的力量。
- Wittgenstein’s aesthetics is a Ethical one, including axiological meaning and absolute happiness of transcendental meaning. 維特根斯坦認為，美學(xué)是倫理學(xué)的美學(xué)，它包含了價(jià)值論的意義，蘊含著(zhù)絕對幸福的人生超越性意義。
- Objective: To improve retainer s aesthetics and alleviate buccal retainer s peculiar sense for patients with removable partial denture. 目的:改善鑄造可摘局部義齒固位體的美觀(guān)性,減輕頰側固位體的異物感。
- Therefore,the wealthy resource aesthetics was buried,and the student"s aesthetics got down to supperficality and vulgarity gradually. 因此，小說(shuō)中豐富的美學(xué)資源被埋沒(méi)，學(xué)生審美取向日趨于表面化，感官化，低俗化。
- This paper suggests that it was Wang Guowei who encountered Herder at first through his reading of Japanese philosophical works.Yet by that time he was not quite aware of his aesthetic thoughts. 通過(guò)梳理中國近代美學(xué)學(xué)者對赫爾德的認識來(lái)看現代中西文化互相激蕩的過(guò)程中德國哲學(xué)特別是美學(xué)思想如何進(jìn)入中國美學(xué)話(huà)語(yǔ)圈。
- Abstract: The theory of “Jingjie”, as the core of Wang Guowei's aesthetic concepts, have been drawn scholars' eyes in academic study.As follow, there are various interpretations to this theory. “境界說(shuō)”是王國維美學(xué)理論的核心概念，自從提出以來(lái)倍受理論界注意，被給予了各種解讀。
