The film, the technology and the audience are an inalienable complete system, when we inquire about the initial power that actuate the film art, we must seek the pivot from this three-dimensional network.

 
  • 電影、技術(shù)和觀(guān)眾是一個(gè)不可分割的完整體系,我們在探尋驅動(dòng)電影藝術(shù)發(fā)展的初始動(dòng)力時(shí),必須從這個(gè)三維的立體網(wǎng)絡(luò )中尋找支點(diǎn)。
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