Perhaps the musicians finally recognised the time had come to question their assumptions about Strauss,to subject The Blue Danube to the same stylisticre appraisal that has illuminated our understanding of other 19th century composers.

 
  • 這也許表明,維也納音樂(lè )家們最終認識到他們對施特勞斯的自以為是的理解該受到質(zhì)疑的時(shí)間已經(jīng)到來(lái),就像我們對19世紀其他作曲家的理解得到啟發(fā)一樣,《藍色多瑙河》的藝術(shù)風(fēng)格也應被重新評價(jià)。
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