He contemplates the cross sections where society, history and human desires meet with each other, on which he has long based his dynamic sculptures.

 
  • 他常常將他的作品棄置于自然環(huán)境的某個(gè)荒野中,或者將他所創(chuàng )作的作品進(jìn)行破壞性的公開(kāi)表演。
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