您要查找的是不是：
- Shanley’s film feels caught between two mediums and why Ms. 這些對于表現教會(huì )與性別，比任何一次修女與神父之間逐漸升溫的交鋒都更為有力。
- Kurosawa’s film simply shows more about the characters. 這就是看不見(jiàn)的手的作用。
- In the current Chinese filmdom, Zhang Ai-ling' s film idea would give us meaningful enlightenment. 這一創(chuàng )作意識對當代劇作家的電影劇本創(chuàng )作具有重要的啟示意義。
- Makoto"s film gives a realistic view of the struggles many face against time, space, people, and love. 他的電影清晰地展現了時(shí)間、空間、人類(lèi)還有情愛(ài)的掙扎。
- Just through all the NG's Film...Compare with Malaysia's version...I feel China's version is better... 大家對中國版的金花報喜這名有什麼意見(jiàn)&感覺(jué)?
- Suddenly, the sang froid of investors has been disturbed. God, as the1960 s film“ Georgy Girl” explained, always has a custard pie up his sleeve. 一夜之間冷靜的投資者變得手足無(wú)措，正應一句老話(huà)’天有不測風(fēng)云’。
- IF THE secret of success in the cinema is to anticipate the popular mood, Thailand s film industry should be feeling pretty chuffed[1]. 假如電影業(yè)的成功秘訣就是投大眾所好，那么泰國電影業(yè)一定會(huì )感到高興。
- For Hellboy, Beltrami seems to understand that he's scoring not just del Toro 's film, but the collective conceptions of a thriving comic book cult. 為了追查病毒真相，超自然國防部派出調查員彼得，前去調查此事，不想他不久后卻離奇失蹤。
- Fellini’s film moved me and entertained me, but Antonioni’s film changed my perception of cinema, and the world around me, and made both seem limitless. 費里尼的電影讓我感動(dòng)讓我歡愉，但安東尼奧尼的電影則改變了我對電影的認知和我周?chē)氖澜?，并使兩者似乎都變得無(wú)邊無(wú)際。
- The shackles of Chinese ideology were broken through in the late of 1970s.Bazin’s film theory was introduced into china again and deeply influnced chinese film research. 1970年代末開(kāi)始，隨著(zhù)社會(huì )的開(kāi)放和思想的解禁，巴贊的電影理論再次被引進(jìn)，產(chǎn)生了深遠的影響。
- Through the studies to Roman Polanski’s films, the paper highly values his contribution to the world film. 通過(guò)對波蘭斯基影片的分析，本文肯定了波蘭斯基對世界電影發(fā)展所做出的貢獻。
- Film subtitles translation,Relevance Theory,Feng Xiaogang"s films,subtitling strategies,communicative effects. 01電影字幕翻譯,關(guān)聯(lián)理論,馮小剛電影,翻譯方法,交際效果
- Objects and places are the main characters of Sawa’s film, in which a subtle relationship between the two is set in motion, and greater elements of imagination are allowed to arise. 物件和場(chǎng)所是澤拓影片里的主角，兩者之間牽動(dòng)著(zhù)微妙的關(guān)連，更多的想像也源源涌現。
- As to the study of the Loach’s film, it is not only the study of film of the realism style,it is also the study of the social reality ,it has both the artistic value and social value. 對于羅奇電影的研究，既是對現實(shí)主義風(fēng)格電影的研究，也是對社會(huì )現實(shí)的研究，同時(shí)具有藝術(shù)價(jià)值和社會(huì )價(jià)值。
- Soda and his girlfriend saw Ggong when he was eating " " (/Samgyetang/ Ginseng chicken soup) at a well-known restaurant during CP's filming. 和他的女友在咖啡期間在一家很有名的餐廳遇到孔劉。
- As a delegate of new movie in Taiwan , Edward Yang’s films always have being rational dispassion for Taiwan’s society realism . 作為臺灣新電影的代表人物之一，楊德昌電影總是在對于臺灣社會(huì )現實(shí)進(jìn)行理性的思辨。
- The Bucky Card has just started. 我想告訴你有關(guān)爆奇卡的事。
- The third chapter analyzes the glamorous feature of the form of Shunji Iwai’s films in aspect of images, editing and prose style. 第三章探討了巖井俊二影片形式上的“唯美”特征，主要包括畫(huà)面、剪輯和散文化風(fēng)格三個(gè)方面。
- So Bucky took the first flight he could get. 當我趕到會(huì )議大廳時(shí)，他的演講正接近尾聲。
