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- It is Bakhtin who finds Rabelais and it is Rabelais who finds Bakhtin. 是巴赫金發(fā)現了拉伯雷，也是拉伯雷表現了巴赫金。
- Bakhtin expresses his enthusiasm of subversion to delete the soliloquy, which is not like Nietsche's and Frend's. 巴赫金宣揚軀體顛覆只是為了消除獨白話(huà)語(yǔ)而進(jìn)行的一種張揚，這與尼采、弗洛伊德的人的欲望軀體理論的旨趣是完全不同的。
- Bakhtin believes that dialogism is the foundation upon which a text is produced and its life sustained. 巴赫金認為，對話(huà)性是文本產(chǎn)生和存在的基礎。
- Bakhtin's dialogic theory has provided a new explanation angle for transition of female writing. 巴赫金的對話(huà)理論為女性寫(xiě)作的這種轉變提供了一個(gè)新的闡釋角度。
- As early as 1928, Bakhtin made critical comment on the formalism of the communication mode. 早在1928年，巴赫金就對形式主義者提出的交際模式進(jìn)行了批判。
- Bakhtin's theory on carnival and Antonio Gramsci's theory on culture hegemony have both common points and differences. 摘要巴赫金的“狂歡化”詩(shī)學(xué)與葛蘭西的“文化霸權”理論既有契合之點(diǎn)，也有差異之處。
- Bakhtin, a scholar of former Soviet Union, proposes his theory of metalinguistics which takes parole instead of langue as its object of research. 前蘇聯(lián)學(xué)者巴赫金針對索緒爾的結構主義語(yǔ)言學(xué),以言語(yǔ)為研究對象,提出了他的超語(yǔ)言學(xué)理論。
- The second chapter is a brief review of Bakhtin’s polyphonic theory, including carnivalesque overtones, dialogism and polyphony. 第二章簡(jiǎn)略介紹了巴赫金的復調小說(shuō)理論，包括“狂歡化”、“復調”和“對話(huà)理論”三個(gè)方面的內容。
- But from Bakhtin's theory of dialogism, her fall is inevitable, because she only pays attention to herself to the neglect of others. 因為她只關(guān)心自己而忽略了別人。所以她的主體意識是自我的也是不全的。
- Reception Aesthetics and Bakhtin's Dialogical Theory were both influenced by dialogical ideas of Greek philosophy and share a lot. 接受美學(xué)和巴赫金的對話(huà)理論都受到了希臘哲學(xué)中對話(huà)思想的影響,在許多方面有共通之處,具有同源性和家族相似特征。
- Through his researches on the image system figured by Rabelais, Bakhtin has blazoned forth a concept of “macro-death” with dualism and jocosity. 巴赫金通過(guò)對拉伯雷塑造的形象體系的研究向我們宣揚了一種帶有全民性、雙重性、詼諧性的“大死亡”觀(guān)念。
- Of course, the dialogic state advocated by Bakhtin is merely a kind of ideal world, and will never replace the realistic society completely. 當然，巴赫金所倡導的對話(huà)狀態(tài)只是一種理想境界，就如狂歡節一樣，是不可能完全取代現實(shí)生活的。
- The leading idea: Mikhail Bakhtin in the forepart of his lifetime was how to put forward these basic concepts of his theory of dialogue. 主要內容是：巴赫金早期是如何開(kāi)始關(guān)注和提出對話(huà)理論中的基本概念“自我”與“他者”的。
- The deprivation of such internal struggle will make human being degenerate into the only animal having natural desire as Bakhtin's theory of body. 顛覆過(guò)度，建構闕如，最終如巴赫金所說(shuō)的單純“性”的軀體將喪失完整的軀體存在，淪于“欲望軀體”的行列。
- "Carnivalesque" by Bakhtin has been the first selected word to demonstrate the liberating and creative thinking and fashion. 巴赫金提出的“狂歡”一詞現已成為標舉解放性、創(chuàng )造性的思維、潮流的首選詞語(yǔ)。
- Mikhail Mikhailovich Bakhtin's dialogue theory had far-reaching influence on the whole intellectual and cultural circles of the 20th century. 巴赫金對話(huà)理論對20世紀世界整個(gè)思想文化界影響可謂極其深遠。
- From the perspective of individual existence, Bakhtin's dialogical theory deduces the unique research methods of humanities from human being's particular mode of existence. 摘要從個(gè)體存在的角度來(lái)看，巴赫金的對話(huà)理論是從人的特殊存在方式推衍出了人文學(xué)科獨特的研究方法。
- By employing Bakhtin’s theory of carnivalization and chronotope,this thesis attempts to initiate a discussion on the distinct spatial construction of it. 參照巴赫金對于狂歡化時(shí)空體的表述,不難發(fā)現,這部作品具有獨特的狂歡化敘事空間建構方式。
- In the process of unscrambling Rabelais in his unique perspective of folk jocular culture, Bakhtin puts forward a surviving mode which contains frenzied particularities. 巴赫金在以獨特的民間詼諧文化視角解讀拉伯雷的過(guò)程中，提出了一種具有狂歡化特質(zhì)的生存模式。
- Bakhtin deems that language lives only in the dialogic interaction of those who make use of it.Dialogic interaction is indeed the authentic sphere where language lives. 巴赫金認為語(yǔ)言“活”在人們的對話(huà)中，只有在對話(huà)交往中語(yǔ)言才被真正地使用。
